Twenty-something years ago I was working as a Special Effects Designer for Geoffrey & Jeffrey, in Farmington Hills, Michigan. My responsibilities included design, budget, coordinating crew and interns for each production from drawing board to studio. During that time we persistently hired Tim Allen (who had not yet become a mainstream actor). We implemented an Aurora Computer Graphics System for two-plane animation, a Bosch CG System for 3D, the Quantel Paintbox for post effects, and everything else was Practical.
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